#Absynth 5 vst software
Following its humble origins as a Mac‑only release by software developers Rhizomatic in 2000, Absynth quickly joined the ranks of Native Instruments products and gained a PC version, while its semi‑modular design, wave‑shaping, granular synthesis and 68‑point envelopes also gained it a huge number of enthusiastic users. There are few soft synths that rise to the dizzy heights of a fifth incarnation, but then Absynth has always been rather different from the norm. The grain cloud options of the Aetherizer effect are stunning, and can be applied to your own audio as well to Absynth patches. It provides granular-based results such as unusual Chorus, Pitch Shift and reverb effects, and can make synth sounds that are dense and aggressive.Īnd new Comb Filter creates expanding physical-modelling-like sounds with finely adjustable resonance, which means even more realistic, acoustic and voluminous sounds can be achieved.The fifth version of Absynth introduces even more sound-mangling features and aims to be far more user‑friendly than its predecessors. The Cloud Filter has a similar structure as the Aetherizer’s granular effect, but acts in each of the three oscillator channels. audio tracks in a sequencer) – a playground for creative sound manipulation! This effect (as with all ABSYNTH effects) is also for working with external audio signals (e.g.
The results are unusual chorus and vocoder sounds, grain clouds, delays, pitch shifts, reverbs and strange reflections – and everything in between. In addition, the Mutator’s eight fine-tuning controls provide quick access to eight sound properties, such as brightness, bass, resonance, distortion and effects, for instant tweaking of your newly created finedĪ sophisticated granular effect “decomposes” the sounds in to the smallest particles (“grains”), which are then manipulated and re-assembled in a variety of ways. All of the newly-generated sounds and variations can be compared in the new Sound History window, and then be tagged with your desired attributes and saved for future use. The Randomize fader provides additional random variations. Oscillator settings, filters, envelopes, effects – or everything together. It’s also easy to define which elements of the sound should be mutated – e.g. This can be easily done using the KoreSound Browser, where you can find all your desired musical properties/attributes. If, for example, you want to add a “dirty” character to a soft pad sound, you could take the characteristics of a distorted bass from the ABSYNTH Library and apply them to the pad. There is a new version of Absynth with new features and enhancements, among which is a new technology called Mutator, “an entirely fresh approach to sound design”allowing the intuitive combination of sound characteristics from several sounds of the factory library, without dealing with the complex Editor Pages of the oscillators, envelopes and effects sections. Native Instruments has released Komplete 6, a new version of his amazing instrument collection.
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